Born in Valladolid, his first artistic training begins in the studio of painter José Páez Giralt, where he took his first steps in learning the art of watercolor.

Later he moved to Madrid to devote himself to the world of music and entertainment for years (profession simultaneously with free classes in drawing and painting of the Círculo de Bellas Artes) begins his dedication over many years to the practice of watercolor by numerous solo and group exhibitions. He currently teaches watercolor classes in her studio. His work is in collections in many countries. The constant research and fear of typecasting led him to investigate new expressive resources, technical and conceptual, from landscapes and urban issues, the Expressionist figuration and abstraction.

COMMENTS ON THE WORK OF WHITE FAUSTINO

... In rooms full of life and suggestions, we can find a White collecting images and shapes with light and beautiful sketches to watercolors, and later through the filter of their sensitivity, lines become blue, orange and violet: "Color of Night."

Their atmospheres drawn gestures language routines debates ... loneliness in the company, just the ones that go unnoticed by those who look devouring frames without stopping to breathe its essence.

If we can dispense with frills and fireworks arrive, and with eyes and faithful, to observe the synthesis of elements.

Already surpassing the topic and giving us the beauty of his spirit, Faustino white as it shows us, carrying creativity and technical strength.

Alberto Campos

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Those viewers who have come to see the exhibition of F. Blanco intended to meet figurative paintings that are replicas or imitations of the "Reality" will be disappointed because art has long since ceased to be gramophone subjectivizing this reality to another reality that transforms the artist's creative work, his feeling, because this action incorporates a new life on things, giving them a soul that the painter half invented, half lies, as if reading between the lines.

Faustino Blanco painting becomes an abstraction of all visual elements in a vigorous melody of rhythm and color, ordered sensations connected beyond the apparent chaos, to settle in the area of other resonances and space sensed, in step with caused by chance, only guided by the creative intelligence, this faculty which consists in knowing what is needed without losing the natural and spontaneous and fleeing dangerous game is known easily.

The artist prefers to make the leap from what they learned into the unknown, with a direct view of pure color and their timeless overtones, its nuances, addresses the matter resolved with the energy that gives a precise gesture thereof, a compulsion almost biológica.Entre volatile solids emerge vermilion blue, orange, ocher, among timid teals are scarlet red high contrast, and as floating rocks two or three masses prevailing capitalization emphatic mark his compositional language, which does not drown the sound intense cadences small gap until the sound of light, freedom: the table already has its own life and continues to operate if it is accurate, and as Saint Pol Roux used to do before bed to put a sign on the door of his mansion Camaret, which said, "the poet works" I would say more in this case, "the poem works."

Alejandro Ortiz Shears